PHIL COULTER is far from the muzak-producing bore of caricature. Here, he talks to JOE JACKSON about family tragedy, northern politics, drink binges, having songs covered by Elvis and his experiences working with stars like Van Morrison, Siniad O Connor and Luke Kelly. Portraits: MYLES CLAFFEY
The glum view is easily stated: finally, after eight years, the Bay City Rollers revival. The dominant pop purveyors – Duran, Wham, Spandau, Culture Club, Young, Kershaw, and Jones – regressed to the most conservative models of teen exploitation.
Glaswegian quartet TRAVIS may have spent much of the last year playing
support to Manc legends Oasis, but deep down, all they want to do is rock. Interview: NICK KELLY
One look at the cover will tell you all you need to know, with all four members rockin’ the second-generation Heartbreakers look via Izzy Stradlin and Andy McCoy.
Four Weddings And A Funeral and Notting Hill man Richard Curtis is back with another film that has heartstrings and funnybones in its sights. But is Love Actually any good? Craig Fitzsimons and Tara Brady endeavour to find out
With a herd of their fellow Bostonians stampeding the charts and a fine new album Big Red Letter Day to their credit, BUFFALO TOM seem especially primed to cash in on the commercial success that has been dangled teasingly in front of their faces for years. But are they too normal to be
rock 'n' roll stars? LORRAINE FREENEY tracked the band in London with that very question in mind.
First kisses, hanging with the hip-hop aristocracy and why life is better on the wagon are some of the topics for conversation as Hot Press hitches a ride on the tour bus with domestic goddess and soapy bath enthusiast Amy Winehouse.
Anyway, the Dirty album proper hasn’t dated one second: Vig and Wallace had keen radar when it came to knowing just how much to sugarcoat the Sonics’ dissonant assault without compromising on raw power.
One of Ireland’s premier singer/songwriters whose work has been covered by Christy Moore and the Corrs, Jimmy MacCarthy’s latest album The Moment illustrates a lighter side to his character. Below Jimmy gives us the inside track on the songs, the singers and the craft of writing
Fashion designer, punk Svengali, musical maverick, filmmaker and occasional pervertor of justice. MALCOLM McLAREN has been all of these things – and more – in a rollercoaster career that's seen him become a hero to some and an unscrupulous villain to others. STUART CLARK tools up at Ron & Reggie's Gangland Surplus Store for a showdown with the man who manufactured cash from chaos! Scene-of-the-crime photographer: COLM HENRY.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it's been all too easy in the recent past to overlook Bob Geldof's standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it's been all too easy in the recent past to overlook Bob Geldof's standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it s been all too easy in the recent past to overlook Bob Geldof s standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
Journalist NEIL McCORMICK was a schoolmate of BONO when U2 were taking baby steps. Over the past 25 years their paths have frequently crossed, inevitably in rather more exotic circumstances than a classroom. As another year draws to a close, they meet up again: the result is an unusually intimate portrait of a man who came not to save the world but to serenade it. Plus: a close-up look at some of the most striking songs on All That You Can t Leave Behind
WITH JULIAN Temple's film going a long way towards restoring the legend the Pistols themselves did their damnedest to defile on the reunion tour of '96, it's inevitable that we'd get the soundtrack of the repackaging of the resurrection.
A Home At The End Of The World isn’t the balls-out flick it once was, and Colin’s manhood has been cut and discarded, having been deemed too big a distraction.
Freddie Middleton, the General Manager of BMG Records in Ireland has been twenty years in the music business. Here Hot Press, and his many friends in the industry, pay him a special tribute.
Neil McCormick, a friend of U2 in their earliest days, who, as a writer, has closely monitored their progress since then, analyses Eamon Dunphy's much-touted 'authorised' biography "Unforgettable Fire" – and can't quite believe what he reads
